music reviews

dEUS – Koko, Camden. 15th Oct 2008

Wednesday, October 22. 2008


dEUS

With the Knives gig fresh in my mind I was excited to be returning to the Koko. It occurred to me later how splendid a venue it is. If you are fond of the glitter-ball, then you are in for a treat. If like me, you’re not partial to large balls ornamented with glitter, it’s still cool. And it was agreed that we would return again for a club night. It’s that kind of place. But I am back again for a good old-fashioned gig.

I last saw dEUS at (whisper it) a V festival around the turn of the century. They blew me away. Raw intensity from a band like I had seldom experienced, coupled with my memory of there being only a few of us in the crowd. The electric shock Tom Barman (guitarist & singer) gained that day cemented it. Rock ‘n’ Roll.


dEUS

They are far from a favourite band of mine, having always contented myself with what for me are their two classic songs, “Suds & Soda” & “Instant Street”. And these really are classics. The remainder of their canon fail to scale these heights. On the night I was not disappointed with their performance. And clearly the crowd was neither. Though it kind of fell to me to get the mosh-pit moving as & when required which was a little disappointing, but then I suppose someone has to. Anyway, another cool night was had at the Koko.
My thanks are to Lester for this one. Cheers!

Download: dEUS - Instant Street

Download: dEUS - Suds & Soda

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The John Baker Tapes Vols 1 + 2

Thursday, October 2. 2008



Artist: John Baker
Album: The John Baker Tapes Vol.1
Label: Trunk

This has been a beserk listening experience - I know these sounds intimately already, they ping about in some closed off corner of my unconscious, in all our unconsciousness I suspect. These unearthly scrapings and enhanced blocks of musique concrete are the production of John Baker who was part of the pioneering Radiophonic Workshop, set up by the BBC in the 1950s to create music, jingles and incidental sound for its burgeoning media network. The inevitable thing to mention here is Delia Derbyshire's astonishing Doctor Who soundtrack, which came out of the workshop in 1963, but that was but one piece among many thousands (there are reportedly 4,000 hours of archived tape at Maida Vale) and the workshop was precisely that - a foundry of produced sound, with pieces created to meet demand as and when it came. So in some sense this is experimentation bridled by convention - an unsual working arrangment which probably accounts for the hit and miss nature of some of the pieces. But that isn't to detract from the sheer sonic invention on display here, and the almost uncanny way obvious everyday sounds are distorted and refracted to fit a purpose. It's no wonder that this at times expressionless 'music' has been such an influence on our received sonic palette. Just check the Dial M For Murder track below. I think Richard D James may have been listening...



Artist: John Baker
Album: The John Baker Tapes Vol.2
Label: Trunk

There are two discs to this set and it can become slightly cloying after a while, but as an artefact it does expand beyond the boundaries of mere nostalgia - not always, certainly - the second disc particularly has some teeth-curling light jazz moments, but there are sequence when this tips into something more than just time-capsule whimsy, indeed when it feels as if this is created from some anterior present, some other place removed from the usual grasping of our critical faculties. We should be thankful to the mighty Trunk for putting it together.

Download: John Baker - Dial M For Murder

I will say that there are many infinitely better qualified people than me to expound on this stuff and a good deal of excellent pieces around. Below are a few well worth reading.

Woebot on the Radiophonic Workshop
A piece on the same by Robin Carmody
And Simon Reynold's recent piece from The Guardian

Two excellent reviews of this release.

And finally the press release from Trunk which includes a poignant biography of John Baker by his brother Richard Anthony Baker. If any music ever resisted biography it must be this, yet strangely this piece adds an unusual, unsettling texture to the work.

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