Title: Liquid Light Forms
Artist: Koen Holtkamp
This first appeared at The Liminal.
Koen Holtkamp’s Liquid Light Forms has been around in digital format for a few months now, but the delayed vinyl release (out on Barge in early March) has meant a slow accumulation of experience – the record has kind of percolated into me over an extended period. My initial impression was that it was merely another appropriation of the firmly 70s-rooted kosmische sound, with all the attendant baggage that brings, but repeated listens have revealed it to be a subtle and thematically interesting recording. I guess part of it comes down to trust in the end: Holtkamp, as part of the duo Mountains, has always had an ear for the skilful blending (of albeit mainly acoustic) sounds, and it’s this that comes through on Liquid Light Forms. He might have changed the means (he’s using modular synths and sequencers, instead of say an egg whisk) but the sophisticated layering is there, as is the emotional engagement. Named after the Hudson River, and two of its tributaries, the 3 long tracks glisten and shimmer, readily evoking the play of light on water. There isn’t a traditional bassline undertow as such; instead the various modulated melodies intertwine and roll across one another creating an illusion of riverine gravity. The closing track, ‘Hudson Static (Live at Shea Stadium)’ is the most ebullient here, and almost crosses into punch-the-air Emeralds territory. The lingering sonic memory of the previous tracks and Holtkamp’s poise thankfully keeps this in check. Worth the wait, this one.
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